![]() So, the fact that they were on a cusp of a modern age is why I chose to set it then. I don’t understand any of the new world that’s zooming toward us. I sit down at my computer today, and I feel exactly the same way. We’re trying to really grapple with these characters, in all of their extremes, sexually as well as in terms of violence and psychology. That became my watchcry, and that’s just as true for the most exalted and generous acts of the character, as for the most monstrous and depraved. ![]() And Juan Bayona, our great director for the first two episodes, talked about how, for something to be frightening, it has to be true. We can go back to those sacred, essential texts and try to treat them with a granular reality. One of the reasons that it’s so liberating to work on Showtime and to work in paid cable is that, in my very first discussions with Sam Mendes, we talked about, “Why do we want to tell this story?” We can tell it without gloss of years of television shows and movies and different novelizations. LOGAN: Part of the motivation of what makes us a human being is how we respond erotically to the world around us, and it’s just as true for these characters, as everything else.
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